Beach party film - Wikipedia. Beach Party (1. 96.
With this film, AIP is credited with creating the genre. According to various sources, the genre comprises over 3.
Although the genre is termed . Occasionally the term “surf movie” refers to a straightforward dramatic film that uses surfing as a backdrop or plot device, such as Big Wednesday or Blue Crush. Arkoff said that he didn’t care much for the Italian production because “there’s not enough there that American teenagers can identify with. But the beach is a wonderful setting for a teenage movie.
Beach party movies were an American subgenre of feature films produced and released between 19, created by American International Pictures (AIP), beginning. Bikini Beach, Movie, 1964. Pictures provided by: vilero, yvon52, skywatcher68. Some cars are already identified in the end credits (01:33:39)-- Last edit. Bikini Beach is a 1964 American teen film directed by William Asher and starring Frankie Avalon and Annette Funicello. The film belongs to the beach party genre of. Brazilian Bikini Models on Ipanema Beach : YouTube - BIKINI. The bikini to U.S. You can order these thru our website!
And it doesn’t hurt to show girls in skimpy bathing suits.” A few days later, Hot Rod Gang / Ghost of Dragstrip Hollow writer Lou Rusoff was assigned to do some research on the beaches of Southern California and by the end of the week, Rusoff was writing the script for Beach Party. Mc. Parland writes: “AIP was more concerned with what was happening on the streets rather than what such sanitised copy as Billboard and Cashbox was interested in promoting – and this was obviously reflected in the product the studio was renowned for; AIP was a rebel and in reality, a leader; unlike the monolithic and respected Columbia Pictures Corporation.
Watch this compilation of your favorite Teen Beach Movie songs in this Medley by Peter Hollens, featuring Evynne Hollens. Beach Bum; Curve Appeal;. Bikinis, Swimwear, The Bikini & Beach Lifestyle . NEW ARRIVALS; SALE;. BIKINI.COM X TREATS! Jeffries Mantaray. Jeffries Mantaray in Bikini Beach, Movie, 1964. Class: Cars. Pictures are property of movie companies owner of the respective movies.
Unlike previous films such as the aforementioned Gidget and Love in a Goldfish Bowl, parental characters do not appear in any of the AIP films, and are rarely mentioned in their plots, if at all. Additionally, these movies were produced as escapism, so the characters in them lived in a world where the focus was on having a good time. For example, Beach Party teased, “It’s what happens when 1. Muscle Beach Party promised, “When 1.
Likewise, Ski Party intoned, “It’s where the HE’S meet the SHE’s on SKIS – and there’s only one way to get warm!” Though the clothing for both sexes in the cast was revealing by the standard of the day, the films never featured any sex scenes or nudity. Occasionally modern critics. In reality, more “sex” was suggested in these films – as well as their posters and trailers – than in anything the studio had previously produced. Arkoff already had a working relationship with Frankie Avalon, who had starred in two films for AIP, Panic in the Year Zero and Operation Bikini, and had become a much brighter star than AIP regular, singer/actor John Ashley. Arkoff next made a deal with former Mouseketeer Annette Funicello, whose contract with Walt Disney had a clause stating that she could work in non- Disney films subject to the approval of Disney’s legal team.
The deal came with one caveat, that Funicello not appear in a bikini (reportedly, Disney himself had to be settled down by Arkoff when he discovered that his subordinates had allowed Funicello to appear in the AIP film at all). Cinema. Editor magazine summed it up this way: “In Frankie and Annette, teenagers now had their own version of Rock Hudson and Doris Day as the . In many cases house records were set, and new AIP gross records were also secured. All of a sudden, theaters began clamoring for prints of Beach Party. A new cycle had begun.
For example, much of the cast in Bikini Beach appear in the follow- up Pajama Party, albeit with different names – however, biker Eric von Zipper appears in the film, along with his gang of “Rats,” playing the same characters as in two previous films. In addition, Ski Party would appear unrelated, except that the characters of Todd and Craig also appear in the later Dr. Goldfoot and the Bikini Machine, which is also linked to How to Stuff a Wild Bikini by the appearance of Eric von Zipper and Annette Funicello. The only film not to have an appearance of some kind by either Avalon or Funicello is The Ghost in the Invisible Bikini; early promos for the film had announced that the two would appear, but it didn’t happen.
Funicello does not appear in Avalon’s Sergeant Deadhead and Avalon does not appear in Funicello’s Thunder Alley. Film. Release date. Director. Writer(s)Score. Beach Party. 7 August 1. William Asher. Lou Rusoff, William Asher, Robert Dillon. Les Baxter. Muscle Beach Party. March 1. 96. 4William Asher.
Robert Dillon. Les Baxter. Bikini Beach. 22 July 1.
William Asher. William Asher, Robert Dillon, Leo Townsend. Les Baxter. Pajama Party. November 1. 96. 4Don Weis. Louis M. Heyward. Les Baxter. Beach Blanket Bingo. April 1. 96. 5William Asher.
Leo Townsend, Sher Townsend, William Asher. Les Baxter. Ski Party. June 1. 96. 5Alan Rafkin. Robert Kaufman. Guy Hemric & Jerry Styner. How to Stuff a Wild Bikini. July 1. 96. 5William Asher.
William Asher, Leo Townsend. Les Baxter. Sergeant Deadhead. August 1. 96. 5Norman Taurog. Louis M. Heyward.
Les Baxter. Dr. Goldfoot and the Bikini Machine*6 November 1. Norman Taurog. James Hartford, Robert Kaufman. Les Baxter. Ghost in the Invisible Bikini. April 1. 96. 6Don Weis. Louis M. Heyward, Elwood Ullman. Les Baxter. Fireball 5.
June 1. 96. 6William Asher. William Asher, Leo Townsend, Burt Topper. Les Baxter. Thunder Alley. March 1. 96. 7Richard Rush.
Sy Salkowitz. Mike Curb. Note: *In November 1. AIP released Dr. Goldfoot and the Girl Bombs, an Italian spy- spoof film directed by Mario Bava and starring Vincent Price, Fabian, and the Italian comedy team of Franco Franchi and Ciccio Ingrassia. Although the film was styled as a sequel, its content does not place it in the beach party genre. The following cast members showed up in at least three or more films: John Ashley, Dwayne Hickman, Jody Mc.
Crea, Deborah Walley, Bobbi Shaw, Salli Sachse, Luree Holmes, Michael Nader, Valora Noland, Andy Romano, Susan Hart, Jerry Brutsche and Linda Rogers. Now- famous surfers Mickey Dora and Johnny Fain each appeared in six films of the series, both as extras and as stunt- surfers. Morey Amsterdam appeared in both Beach Party and Muscle Beach Party as “Cappy,” the owner of the beach bar/hangout known as Cappy’s Place; and famous insult comedian Don Rickles appeared in no less than four films in a row, starting with Muscle Beach Party, each time as more or less the same character but with a different name. Comedic talent Fred Clark appeared in both Dr. Goldfoot and the Bikini Machine and Sergeant Deadhead. Other popular comedians who made at least one appearance included Buddy Hackett and Paul Lynde. In addition, the AIP films regularly secured the talents of many well- known yet admittedly past- their- prime talents, with Buster Keaton being featured in three films (Beach Blanket Bingo, How to Stuff a Wild Bikini, and Sergeant Deadhead), and Boris Karloff being featured in two films (Bikini Beach and The Ghost in the Invisible Bikini).
Other golden- age stars included Vincent Price, Peter Lorre, Elsa Lanchester, Mickey Rooney, Dorothy Lamour, Brian Donlevy, Eve Arden, Cesar Romero, Gale Gordon and Basil Rathbone. Recurring cast and guest stars. Shimmy sensation Candy Johnson appeared in the first four films (appearing with her band, The Exciters, in the third film, Bikini Beach).
Pepper spokemodel Donna Loren appeared and sang in four films beginning with Muscle Beach Party. The aforementioned Dick Dale & the Del- Tones appeared in the first two films, and a 1. Stevie Wonder performed in the second and third films.
An up- and- coming Nancy Sinatra acts and sings a song in The Ghost in the Invisible Bikini (two months after her hit record “These Boots Were Made For Walking” was released), backed up by the also- yet- to- break Bobby Fuller Four. Other acts that appeared include James Brown, Lesley Gore, The Hondells, The Kingsmen, The Pyramids and The Supremes. Contributions to the genre by other studios. With the exception of MGM’s Girl Happy (an Elvis Presley vehicle) and United Artists’ For Those Who Think Young, none of these were able to duplicate the box- office success of the AIP product. The number of movies in the genre peaked in 1. January and December of that year.
In August 1. 96. 5, the studio released a Maury Dexter- directed Lippert production, Wild on the Beach. It is interesting to note that all of AIP’s beach party pictures were full- color and in widescreen format, whereas Fox – a studio that was known for glossy, big budget productions – put out three contributions that were each low- budget affairs, in the standard 1. The aforementioned and rarely screened Love in a Goldfish Bowl, Paramount’s answer to Gidget, (with Tommy Sands and Toby Michaels as knock- off versions of James Darren and Sandra Dee) was released in July 1. An illustration of a surfer was used in the poster for the film, and a short beach scene was featured in the trailer, nevertheless, the bulk of the action takes place at a lake house in Balboa.
However, following the success of Beach Party, Paramount later put out three full- fledged . Palm Springs Weekend was the studio’s only venture into the genre. MGM released three films in the genre – two with college- themed backdrops: the Sam Katzman- produced Get Yourself A College Girl with Mary Ann Mobley and Chad Everett in November 1. Fort Lauderdale- based Elvis flick, Girl Happy, released five months later in 1. Katzman also produced the ambitious When the Boys Meet the Girls in October of the same year. At some point MGM had bought the film rights to Ira Wallach’s 1.
Southern- California culture, Muscle Beach, but by the time it was finally filmed – and released in 1. Don't Make Waves – it was not so much a beach party film as a bedroom farce with an all- adult cast of characters. UA released only two films in the genre, the Hugh Benson- produced For Those Who Think Young in June of 1. Elvis Presley vehicle, Clambake in December of 1. Identifying itself with the genre, the trailer for Clambake promised “the wildest beach party since they invented the bikini and the beat!”Universal released the comedy- drama The Lively Set in 1. UA’s For Those Who Think Young from four months earlier), then released the two pure comedies directed by Lennie Weinrib: the college- in- the- snow- based Wild Wild Winter in January 1. Malibu- based spy- spoof Out of Sight four months later.
Independent studios.